COLLABORATE

Historic places are more than buildings. They are the physical record of our communities, our culture, and our shared past.

An important part of my photographic work is documenting these places—their architecture, landscapes, details, and the people connected to them—before time and change alter them forever.

I welcome opportunities to collaborate with organizations, institutions, communities, and individuals who share an interest in historic preservation, cultural heritage, and the documentation of place.

Whether a project involves a single landmark, an historic district, a cultural landscape, or an ongoing preservation effort, my goal is to create photographs that are both visually compelling and valuable as a lasting record.

I welcome opportunities to work with historical societies and preservation organizations; museums and archives; national, state, county, and local parks; historic homes and estates; Main Street and downtown revitalization programs; libraries, universities, and educational institutions; Tribal and cultural organizations; architectural preservation projects; local governments; nonprofit organizations; editorial and documentary publications; and private owners and caretakers of historically significant properties.

If your project involves preserving history, documenting change, interpreting a landscape, or telling the story of a special place, I would welcome the opportunity to discuss how photography might support your mission.

Many museums, historical societies, preservation groups, and nonprofit organizations accomplish important work with limited resources. I understand those realities.

While every project involves real costs, my approach is guided first by the opportunity to create something meaningful rather than by maximizing profit. Whenever possible, I am willing to explore flexible arrangements that make worthwhile projects possible.

The best collaborations are partnerships built around mutual respect, shared goals, and the desire to create something of lasting value.

I believe the value of a photographic project can extend well beyond the time I spend creating it.

As part of selected collaborations and artist residencies, photographs and finished artwork created during the project may be made available to the participating organization for appropriate uses such as exhibitions, educational programs, historical archives, publications, websites, fundraising, or promoting preservation and public awareness.

Depending on the project, this might include selected digital images, exhibition prints, or a body of work created specifically around the place and its story.

I retain authorship and copyright to my work, but I am open to developing licensing and usage arrangements that allow organizations to benefit from the photographs while protecting the integrity of the artwork.

For me, a successful collaboration should leave something behind—not simply photographs of a place, but photographs that can continue telling its story.

I am particularly interested in short- and long-term artist residencies involving historic places, cultural landscapes, natural landscapes, and community heritage.

For me, a residency is more than an opportunity to make photographs. It is an opportunity to spend enough time with a place to understand it.

I am especially interested in creating bodies of work that combine fine-art photography with documentary storytelling—photographs that can stand independently as works of art while also contributing to the historical and cultural record of a place.

I also welcome opportunities to contribute through exhibitions, presentations, educational programs, photographic documentation, and community engagement.

My goal is to leave behind more than photographs. I hope the work contributes something meaningful to the organization, the community, and the people who will experience that place in the future.

Every collaboration begins with listening.

I take the time to understand the history and character of a place, the goals of the organization, and what photography can contribute to the project.

My approach emphasizes authenticity. The places, landscapes, architecture, and moments appearing in my photographs are genuinely encountered and photographed by me. Post-processing is used to interpret light, tone, and atmosphere—not to replace the experience of being there.

You can expect professionalism, reliability, flexibility, and respect for the places and stories entrusted to me.

If you are preserving a historic place, restoring a landmark, documenting a community or landscape, or simply believe there is a story that deserves to be photographed, I would be interested in hearing about it.

Projects can be close to home or across the country—a weekend assignment, an extended documentary project, or a multi-month artist residency.

What matters most to me is the opportunity to explore a place, understand its story, and create photographs worth preserving.

Nature and history provide the subject. Light reveals it. My job is to recognize the moment and make the photograph.